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Download Infinity War Collected Edition Comic Book

1991 American comic book storyline

The Infinity Gauntlet
The infinity gauntlet is in the middle of the cover and glare from each gem extends in four directions to the edge of the image. Thanos, Mistress Death, and Mephisto's faces are above it. It is surrounded on other sides by vignettes of various heroes featured in the story. The logo occupies the top third of the image. The text is yellow with a blue shadow.

Embrace to Infinity Gauntlet (tertiary edition TPB) (2011).
Art by George Pérez.
Publication information
Publisher Marvel Comics
Schedule Monthly
Format Limited series
Genre
  • Superhero
Publication date July– December 1991
No. of problems 6
Main character(s) Avengers
Adam Warlock
Mephisto
Thanos
Silver Surfer
Nebula
Artistic team
Written by Jim Starlin
Penciller(due south) George Pérez
Ron Lim
Inker(s) Josef Rubinstein
Tom Christopher
Bruce N Solotoff
Letterer(south) Jack Morelli
Colorist(s) Max Scheele
Ian Laughlin
Editor(southward) Craig Anderson
Nerveless editions
1st Ed. TPB (1992) ISBN 0871359448
second Ed. TPB (2006) ISBN 0785123490
3rd Ed. TPB (2011) ISBN 0785156593
HC Edition (2010) ISBN 0785145494
Omnibus (2014) ISBN 078515468X
Deluxe TPB (2019) ISBN 1302915959

The Infinity Gauntlet is an American comic book storyline published past Marvel Comics. In addition to an eponymous, vi-consequence limited series written past Jim Starlin and pencilled by George Pérez and Ron Lim, crossover capacity appeared in related comic books. Since its initial serialization from July to December 1991, the series has been reprinted in various formats and editions.

The series' events are driven past Thanos, a nihilist character created for Marvel by Starlin in 1973. When Starlin began writing Silver Surfer in 1990, he and Lim began a new plot with Thanos that adult over 16 monthly issues and a spin-off limited series before concluding in The Infinity Gauntlet. Pérez was brought in to draw The Infinity Gauntlet considering he had more than proper name recognition among fans and because Lim already had a full schedule. However, subsequently completing three issues and function of the 4th, his own busy schedule and dissatisfaction with the story led to him beingness replaced by Lim.

At the start of The Infinity Gauntlet, the character Thanos has collected all 6 Infinity Gems and fastened them to his gauntlet. With their combined power, he becomes "similar a god" and sets out to win the affection of Mistress Expiry, the living embodiment of death in the Marvel Universe. When Thanos uses his powers to instantly erase half of the life in the universe from existence, Adam Warlock leads Earth'due south remaining heroes against him. Subsequently the Infinity Gauntlet is stolen by Thanos' villainous granddaughter Nebula, Thanos aids the remaining heroes in defeating her. Warlock ultimately obtains the Infinity Gauntlet and uses its power to undo all information technology had wrought.

The serial was a top seller for Marvel during publication and was followed past two immediate sequels, The Infinity War (1992) and The Infinity Cause (1993). The story'due south events continued to exist referenced in other Curiosity comics for decades. The Infinity Gauntlet remained popular among fans, warranting multiple reprint editions and merchandise, with its themes and plot elements adapted into video games and animated cartoons. Most notable among later adaptions was the "Infinity Saga" of the Marvel Cinematic Universe, which incorporated elements of the original comic story into a saga that spanned across about two dozen continued films.

Publication history [edit]

Background [edit]

Artist and character creator Jim Starlin introduced Thanos, the antagonist for the storyline, in Iron Man #55 (Feb. 1973). After providing artwork for Captain Curiosity #24-25 (Jan. 1973 & March 1973), Starlin co-wrote #26 (May 1973) with Mike Friedrich, which featured Thanos (albeit in shadow) on a Marvel cover for the first time and marked the beginning of what was later coined the "Showtime Thanos War".[ane] After collaborating with Friedrich for #27-28 (July & Sept. 1973), then assumed sole writing duties for the remainder of the sweeping cosmic saga from #29-33 (Nov. 1973 - July 1974).[2] Starlin completed i final issue, #34 (Sept. 1974), laying the background for the eventual death of hero Mar-Vell earlier leaving the title.[3]

In 1975, Starlin began writing and illustrating Foreign Tales, where he made significant changes to Adam Warlock and developed the concept of the Infinity Gems.[one] He reintroduced Thanos first every bit Warlock'due south ally, and so as his opponent in a storyline known as the "2d Thanos War" that ran until 1977.[i] [4] Because of their close publications dates, the ii Thanos Wars are sometimes considered to be one storyline.[ii] Both are considered "cosmic" stories and led to Starlin beingness known as a "cosmic" writer.[1] [5]

Starlin stopped doing regular work for Marvel afterwards concluding the 2d Thanos War,[6] just occasionally returned for short projects like The Death of Captain Marvel graphic novel and creator-owned piece of work such as the cosmic-themed Dreadstar through the 1980s.[vii] He likewise did high-profile piece of work for DC Comics, such equally Batman and Cosmic Odyssey.[v] In a 1990 interview, Starlin described himself as the but writer who had been allowed to "play" with Thanos,[8] although other writers had scripted some necktie-in capacity of the Starting time Thanos War.[9] [10]

George Pérez is a popular artist known for cartoon comics featuring large casts. He came to prominence in the 1970s while working on Marvel's The Avengers before leaving the company to work for DC on comics such every bit New Teen Titans, Crisis on Infinite Earths, and Wonder Woman.[11] In 1984, Pérez entered into an sectional contract with DC.[12]

Development [edit]

refer to caption

Serial writer Jim Starlin in 2008

In 1988, Steve Englehart was writing Silverish Surfer and ane of his storylines involved the Infinity Gems and Mistress Death. He asked to do a follow-up story where Mistress Death uses Thanos to get revenge on her enemies, but editor-in-master Tom DeFalco did not know who Thanos was. After the grapheme was explained to him, DeFalco liked the idea so much he wanted to salve it for a big summer crossover instead. At the time, he indicated he wanted to format it like "The Evolutionary War", a 1988 crossover spread across the annuals of several continuing series instead of being contained in a limited series.[13]

Because of his ties to Thanos, Starlin was invited back to Marvel to write the story.[14] He returned because work for him at DC declined post-obit his controversial Batman story "A Decease in the Family" (1988).[15] Inspired by the work he had recently read from Wilhelm Reich, Carlos Castaneda, and Roger Zelazny, Starlin wanted to purposely add together multiple layers to his characters instead of letting them be ane-dimensional.[16] He started writing with the expectation that this would be the last Thanos story "at least for a while" and was midway through the story before deciding to make Thanos an antihero.[17] He began writing Argent Surfer with #34, cover dated February 1990.[7] To organize diverse plot and grapheme points, Starlin made notes on 3-past-v cards and pinned them to a large piece of plywood hung on his wall.[17]

His showtime four bug reintroduced Thanos and was seen as the kickoff act of the new Thanos storyline. Initially, Starlin and editor Craig Anderson planned for the story to remain contained within the pages of Silver Surfer. Nonetheless, Curiosity had recently been purchased and the new owners mandated all intellectual property be exploited to maximum potential.[17] [note 1] To capitalize on the excitement surrounding Thanos' return, the commencement of the second deed was spun off into the 2-result limited serial The Thanos Quest, released in September–Oct 1990.[17] [nineteen] The plot then connected in Silver Surfer get-go with #44.[19] In Argent Surfer #46, Starlin reintroduced Adam Warlock and his supporting bandage. He included these characters because the editors told him a different writer wanted to utilize them, and they would let him unless Starlin wanted to utilize them first. Starlin was not impressed by the other writer's work, and so he wrote Warlock into his Silver Surfer story.[14] [17] Once again, Starlin and Anderson planned to conclude the story in the pages of Silverish Surfer, but the sales of The Thanos Quest were high enough to warrant another spin-off. Afterwards Silverish Surfer #fifty, the plot moved to The Infinity Gauntlet.[17] Considering of the time required to write the double-length issues of the limited series and coordinate tie-ins, Starlin had to leave the Silver Surfer series at #52.[20]

The editorial staff did not oppose Starlin'due south plans to kill major characters, which he believes was partly because Anderson did not share many of the details with his peers.[16] They did, all the same, limit which of "their" characters could take roles in the story. For example, 10-Men editor Bob Harras but immune Cyclops and Wolverine to appear. The residual of the 10-Men cast were said to have died off-console or were otherwise omitted.[21] This hesitancy was due in part to the relative newness of summer crossover events.[17] [annotation 2]

refer to caption

refer to caption

Ii similar images of the grapheme Thanos from the main serial. The epitome on the left (Thanos with Mephisto), was drawn by George Perez. The image on the right, (Thanos confronts Nebula), was drawn by Ron Lim. Management was unsure of the artistic change at the time, and some critics plant the unlike styles jarring.[17]

Early in 1990, Marvel writer/artist Jim Valentino learned Pérez's contract with DC Comics was going to lapse in August. He contacted Pérez by phone to run across if he would ink a embrace to Guardians of the Galaxy, a comic Valentino was currently writing and penciling. Pérez agreed, and Valentino told Anderson, who was his editor besides. Anderson passed the data to Starlin, who chosen Pérez and asked him to pencil The Infinity Gauntlet. Afterward working out the terms with Starlin and Anderson, Pérez agreed to the job. In a 1991 interview, Pérez speculated that he was asked considering Silver Surfer and The Thanos Quest penciller Ron Lim was besides decorated.[12]

Although Pérez had been a writer as well as an artist at DC, he agreed to piece of work from full scripts on The Infinity Gauntlet considering he was not familiar with the current state of Marvel's characters.[notation 3] From the commencement, Pérez constitute this to exist "a little aggravating, unnerving" considering of the limits it placed on him. Starlin gave Pérez a suggested layout with each script to utilize as a reference, but Pérez ignored them with Starlin'southward blessing. He exercised this freedom past giving some scenes more than infinite, even moving some scenes to dissimilar pages.[12] Early in the collaboration, he asked Starlin to increment the number of characters actualization in the story then his return to Marvel would "knock fans' socks off".[22]

Before he had finished the interior fine art for the first issue, Pérez completed the pencils for the covers of the first four bug so they could be used equally promotional material. Some characters all the same, similar Thor and Quasar, were wearing outdated costumes on the comprehend of issue three and had to be redrawn, which frustrated Pérez.[12] Starlin, who wrote the scripts months in advance, too had to make pocket-sized adjustments to business relationship for changes in these characters and the Blob.[20]

During production, Pérez was also pencilling War of the Gods for DC Comics, a Wonder Adult female miniseries he described as a "highly stressful" projection.[23] When he began to fall behind schedule on both projects, he wanted to quit War of the Gods but was contractually bound to complete it.[22] Partly considering of this stress and partly because he had become used to writing likewise every bit drawing, he became overly critical of Starlin's scripts for The Infinity Gauntlet. Specifically, he felt Starlin'southward story could exist told in fewer pages.[22] [23] His lack of enthusiasm caused him to work slower, and he began to fall further backside schedule.[23] In a 1994 interview, Starlin claimed Pérez was also interim at the time, and that it was a bigger correspondent to the scheduling bug than the comic workload.[24]

When it became clear Pérez would non be able to meet the borderline for the quaternary effect, DeFalco asked regular Silverish Surfer penciler Ron Lim to complete issue #4.[22] DeFalco suggested to Pérez that he let Lim terminate the rest of the series, and Pérez agreed. Pérez understood the determination, and later said he felt Lim should take been the artist from the beginning. He inked Lim's covers for the remainder of the series to prove he bore no sick will to the alter.[23] Although Marvel'southward management had feared sales would fall with Pérez's deviation, sales rose with each issue Lim penciled.[17]

To replace Pérez, Lim had to leave his regular work on the monthly Captain America title. He cites Pérez as an influence and found it "nerve-wracking" to supercede him. Furthermore, the large cast made information technology the about challenging book he had done at that indicate in his career. Withal, he said it was "fun" to work on the pattern aspect of The Infinity Gauntlet.[25]

When he saw sales figures for The Infinity Gauntlet, Pérez realized he probably lost "tens of thousands of dollars" in royalty payments by leaving the series, but he was glad he left when he learned a sequel was in evolution. Like Starlin, Pérez had begun the project believing it would exist the last Thanos story, only direction asked Starlin to write a sequel midway through The Infinity Gauntlet.[12] [23] [24] By then, Starlin had already conceived follow-up concepts and knew information technology would be a trilogy.[24]

The Gaunlet has a string resemblace with a relic of a manus of Teresa de Ávila, but it is not articulate if it really served of inspiration.[ane]

Publication [edit]

Marvel's marketing section "mega-hyped" the result in the months leading up to its release co-ordinate to journalist Sean Howe.[26] Ane aspect of the promotion was sending direct market retailers a kit that included a letter explaining details of the series, a sign to put by their greenbacks register, and a poster 18 inches wide past 36 inches tall.[27] Marvel's promotional magazine Curiosity Age featured a cover story on The Thanos Quest and a Starlin interview in result #91 (Baronial 1990), followed by a 7-page preview of The Infinity Gauntlet #one in Marvel Age #99 (April 1991). The limited series was the cover feature on Comics Interview #94 in March 1991, which included an eight-page interview with Pérez, and Starlin was interviewed about the series in Comics Scene #nineteen in June 1991.

Marvel initially planned to release a new effect every two weeks, just deadline bug caused information technology to be released monthly.[xx] Issues had cover dates between July and December 1991. Each one was available in both comic specialty stores and newsstand outlets, which included supermarkets and department stores. Although the cover artwork was identical, the edition sold in comic stores featured boosted artwork jubilant Marvel's 30th anniversary in place of the barcode constitute on the newsstand edition.[note 4] Each result was 48 pages and cover priced at $2.50 at a time when the boilerplate Curiosity comic was $ane.00 and 24 pages.[29]

Necktie-ins [edit]

The top third of issue 7 of Sleepwalker. The logo is red and black on a green background. The icon identifying the issue as crossover is blue with white text. Two sides of the triangle is formed by the top and right edges of the page. The sides are approximately one inch in length.

Sleepwalker #7: a necktie-in issue indicated past the triangle icon in the top correct corner. Art is by Bret Blevins.

To emphasize the connected nature of Marvel's comic books, some ongoing serial starring characters seen in The Infinity Gauntlet had contemporary issues showing the main plot from a unlike indicate of view or explored consequences of certain events. These issues featured a triangle in the top right corner of their covers with the text "An Infinity Gauntlet Crossover". These necktie-in problems did non bear upon the plot of the limited series and could be skipped by readers without creating plot holes.[17] Doctor Foreign #36 was set after the events of the crossover and featured a triangle with the text "An Infinity Gauntlet Epilogue".

Unlike other crossovers such as Armageddon 2001 (the competing 1991 crossover from DC Comics) which featured tie-ins from a large majority of their publisher's comics, The Infinity Gauntlet merely had tie-ins from titles which were obviously connected to the event or from series which needed a boost in sales.[30] According to Pérez, Marvel'south opinion toward the tie-ins for its low-selling titles was "do information technology or else".[31] Starlin remained uninvolved, assuasive writers to choose for themselves which story elements they wished to employ.[17]

Issues featuring the triangular icon on their covers
Championship Issue(due south) Cover date Writer Creative person
Cloak and Dagger (vol. 3) #18 June Terry Kavanagh Dave Cross and Sam Delarosa
Doctor Foreign, Sorcerer Supreme (vol. 3) #31–36 July–December Roy and Dann Thomas Tony DeZuniga
The Incredible Blob (vol. 2) #384–385 August–September Peter David Dale Keown
Quasar #26 September Marker Gruenwald Dave Hoover
Silverish Surfer (vol. 3) #51–59 July–November Jim Starlin (51–52)
Ron Marz (53–59) 		Ron Lim and Tom Christopher
Sleepwalker #seven December Bob Budiansky Bret Blevins

Collected editions and reprints [edit]

The miniseries was collected in a single softcover edition released in 1992, a time when publishers but collected pop storylines,[32] to coincide with the release of The Infinity War. It featured new cover artwork by Pérez and was enhanced with a foil logo. Afterward printings of this edition had alternate cover artwork from different artists and no enhancement. The suggested retail price was $19.95, five dollars more than than the full retail cost of the individual issues it contained.

In June 2006, Marvel issued a second softcover nerveless edition to coincide with Keith Giffen and Andrea Di Vito's Annihilation, another cosmic-level crossover starring Thanos and the Silver Surfer. This edition used the cover art from outcome #1 and had a trade dress matching the first edition collections of The Infinity War and The Infinity Cause which were released shortly thereafter. The month of release, information technology sold approximately ii,500 copies and was the 33rd best-selling comic collection according to Diamond Distribution.[33] Curiosity likewise released a Silver Surfer collection subtitled "The Rebirth of Thanos" in 2006 which included iv of the lead-in problems of Silvery Surfer and both issues of The Thanos Quest.

A hardcover edition was released in July 2010 as the 46th entry in the Curiosity Premiere Classic line. Like other volumes in this line, information technology was available with 2 covers.[34] The standard cover featured a cutout of Thanos from the cover of issue #4 on a blackness matte background with the title in metallic crimson ink. The variant cover, available only to comic specialty stores, featured the cover art for issue #1 reduced 50% against a black and crimson background. The variant edition identifies itself as #46 on its spine.[35]

In 2011, a third edition softcover was released. The first printing reused the artwork from the standard embrace of the Premiere Classic edition. After printings reverted to the encompass of outcome #one. Sales of the collection spiked after Thanos appeared in a post-credits scene of the 2012 film The Avengers, causing The Infinity Gauntlet to be the highest selling graphic novel in 2018.[36]

In July 2014, Curiosity released a 1,248 page omnibus edition of The Infinity Gauntlet. In add-on to the limited serial, the hardcover too included the lead-up issues of Silver Surfer, The Thanos Quest, and the marketed tie-ins. Information technology besides included boosted issues of Incredible Hulk, Quasar, Silver Surfer, and Spider-Man which had not been advertised as tie-ins, but were connected to the story. Comic book stores and the book market place both offered a regular edition featuring the comprehend to The Infinity Gauntlet #ane, but comic shops could as well order a variant edition with comprehend art by Starlin.[37]

The outset consequence of The Infinity Gauntlet was included in the initial moving ridge of Marvel's "True Believers" line in April 2015. Consisting solely of reprints offered at a disbelieve toll, comic books in this line are meant to introduce newer readers to the most popular titles in Marvel's history.[38] A new printing was paired with a "Truthful Believers" reprint of Silvery Surfer #34 in Apr 2018.

In March 2018, Marvel released an Infinity Gauntlet slipcase set of 12 hardcover books. Material began with Infinity Gauntlet Prologue and included all three Infinity crossovers, their tie-ins, intervening cloth, and a 528-folio "companion" hardcover.[39] The Infinity Gauntlet Prologue was released independently of the set at the same fourth dimension.[40]

A palatial paperback was released in February 2019. It contained the miniseries and additional content discussing the creation of the series.[41] [42]

Plot [edit]

Resurrected by Mistress Death to right a perceived imbalance betwixt life and expiry, the Titan Thanos start encounters the Argent Surfer, and after fakes his own death to keep without interference.[43] Thanos decides to reacquire the vi Infinity Gems that he had previously used as a uncomplicated weapon. After defeating several of the Elders of the Universe and the In-Betweener, Thanos regains the gems and now has command over the six aspects of being: Time, Space, Mind, Soul, Reality and Power. Ironically, now that Thanos is in possession of his "Infinity Gauntlet", Death advises him via an intermediary she cannot speak directly to him as he is now her superior.[44]

When the Silver Surfer learns that Thanos is still alive and confronts him, Thanos traps the Silvery Surfer's soul within the Soul Gem.[45] On "Soul World", the Silvery Surfer encounters old enemy of Thanos, Adam Warlock. Warlock returns the Surfer to his body and promises to help defeat Thanos.[46] The Surfer races to Globe to warn super-team the Avengers virtually the coming threat.[47] Demonic entity Mephisto senses the power in the Infinity Gauntlet and offers to instruct Thanos in its utilise, while secretly waiting for an opportunity to steal it for himself.[48]

Aroused at Mistress Expiry's rejection, Thanos creates a shrine in her image, and then traps and burns Nebula – who pretended to exist his "one thousand-daughter" – as an offering. When still rejected, Thanos in a fit of rage destroys several stars and then eliminates half of all living beings in the universe. The Surfer warns Doctor Strange near Thanos and encourages him to summon Globe's heroes.[49] Cosmic entities Galactus and Epoch seek the source of the sudden imbalance, while Warlock and companions Gamora and Pip the Troll leave Soul World and occupy recently dead humans on Earth, reviving and altering the bodies to match their sometime advent. Warlock appears before Doctor Strange and claims Thanos can but be defeated if Earth's remaining heroes unite nether his command.[50]

Warlock meets with a group of catholic entities, who, despite the reluctance and withdrawal of the Living Tribunal and Eternity, agree to assail Thanos. The combined heroes attack while Warlock and the Surfer observe, with Thanos almost defeated later on heeding Mephisto's advice to limit his power to demonstrate his devotion to Expiry.[51] [52]

Later the heroes neglect, the cosmic entities attack, with Mephisto and Mistress Death also joining in the assault on Thanos. Thanos, nonetheless, traps all the entities in stasis and changes the shrine to feature himself instead of Mistress Death. Believing he has defeated all of his enemies, Thanos separates his consciousness from his torso and assumes an astral form. Nebula uses this opportunity to steal the now-discarded Infinity Gauntlet. Subsequently restoring herself, Nebula banishes Thanos to drift through interstellar space, simply he is rescued and brought to Earth by Doctor Strange. Warlock advises Thanos that whilst in Soul World he was able to examine the Titan's soul. Courtesy of his bail with the Soul Gem, Warlock knew Thanos would eventually lose the Infinity Gauntlet because, at his core, Thanos felt himself unworthy of the power. Overwhelmed past this revelation, Thanos agrees to help Warlock, Doctor Strange, and the Argent Surfer oppose Nebula.[53]

Thanos tricks Nebula into restoring the universe to its prior status, inadvertently reverting into a burn victim in the process. Nebula wills herself dorsum to wellness before Thanos can retrieve the gauntlet, only during this distraction Warlock returns to Soul Globe and uses his connection to the gem to create disharmony betwixt the other gems. This causes Nebula to remove the gauntlet, which an emerging Warlock claims for himself. Preferring decease to imprisonment, Thanos patently dies in a suicide bomb boom. The heroes have reservations near Warlock keeping the gauntlet, but he returns them to World. Warlock then travels lx days into the futurity to visit an unnamed planet where Thanos is living as a farmer. Thanos advises Warlock he has given up his quest for power and plans to lead a repose, introspective life.[54]

Reception [edit]

At release [edit]

The Infinity Gauntlet was an instant success and became i of the most influential storylines in comics from the 1990s.[16] Both of the nationwide comic distributors at the fourth dimension (Diamond Distribution and Capital City Distribution) reported each consequence was ane of their tiptop ten sellers for the month of its release.[55] When Capital Urban center released their superlative 100 best selling single issues of 1991, Infinity Gauntlet problems fell between the 42nd and 64th positions. Aside from the outset issue of The Punisher State of war Zone, all of the higher ranked entries were issues of Spider-Homo, Robin II: The Joker'southward Wild!, or the X-Men franchise.[56] Wizard, a comic magazine known for embracing speculation in the comic marketplace,[57] listed The Infinity Gauntlet #1 equally the ninth "Hottest Volume" in September 1991, and 2 lead-in issues of Silver Surfer were ranked 6th and tenth.[58] The first issue'south resale value rose in a higher place its $ii.50 cover toll in the back event market, plateauing around $9 or $10 in late 1992.[59] [threescore] [notation 5]

The debut issue of the follow-up series, Warlock and the Infinity Lookout, was the top recommendation from Sorcerer for Dec 1991.[61] Information technology led directly into the get-go sequel, The Infinity War, which began in June 1992. The next sequel, The Infinity Crusade, began in June 1993. The tie-ins to The Infinity Gauntlet also sold well, leading the editors who had put limits on characters actualization in The Infinity Gauntlet to asking their books tie in to its sequels.[16] Although both sequels sold well, they were viewed by critics like Wizard 'southward Pat McCallum equally being motivated by sales rather than storytelling because of their excessive tie-ins and wearisome narratives.[62]

In later years [edit]

By the stop of the decade, interest in the standing story dwindled, with sequels poorly received by fans,[62] and Warlock and the Infinity Sentinel canceled in 1995.[63] The same year, Marvel moved the Infinity Gems from their master continuity to an alternate universe called the Ultraverse, a property Marvel acquired when it bought Malibu Comics. The Ultraverse comics were so canceled in 1996.[64] By 1998, Wizard was no longer list Infinity Gauntlet in its monthly price guide.[65] The first edition of the paperback collection saw its last printing in 1999.

The iconography of the gauntlet remained pop, however. When Curiosity partnered with fellow Disney subsidiary ESPN to create promotional images for the 2010–xi NBA season, the October 22, 2010 consequence of ESPN: The Magazine included an advertisement showing Kobe Bryant wearing the gauntlet.[66] When IGN released an unranked list of the best all-time comic book events in 2011, The Infinity Gauntlet was included and was noted for being "a template on which all future cosmic events were based".[67] Its lasting appeal is often attributed to Pérez'due south artwork[11] and Starlin's unusual treatment of classic heroes.[68] [69] [70]

When Thanos made a cameo appearance in the 2012 flick The Avengers, in that location was renewed interest in The Infinity Gauntlet. This was further heightened in October 2014 when the title of the third and fourth Avengers films were revealed to be Infinity War – Role I and Infinity War – Office II.[71] [72] [annotation 6] As the 2018 release of Infinity War neared, several comic news websites produced articles explaining the storyline and speculating on which elements would be included in the accommodation.[73] The renewed attention from the films made the paperback collection of The Infinity Gauntlet the acknowledged graphic novel in 2018.[74]

Not all evaluations were positive – in a 2013 review for Multiversity Comics, Drew Bradley felt the story was "only great" if read in its entirety. At the time of his commodity, the collected edition of Deed One was out of print, with much of Human action Two not been reprinted in any course. Bradley felt the story would not alive upward to its hype if readers skipped the lead-in material.[75] Writing for Digital Spy, Hugh Armitage complained about the comic's lack of real consequences, calling it "essentially [...] a really bizarre dearest story".[76]

Legacy in comics [edit]

Aside from its firsthand spin-off and sequels, the events of The Infinity Gauntlet have impacted storylines in later comics, including Thanos in 2003,[77] Avengers (vol. 4) in 2011,[78] and Hole-and-corner Wars in 2016.[79] Several of these later stories accept downplayed the power of the gauntlet, often showing someone possessing it existence beaten by a more than powerful opponent.[eighty]

The storyline from The Infinity Gauntlet has been revisited past other comic books in the years since its release. The serial What If...?, which explores alternating outcomes to important events in the Marvel Universe, featured several issues in which different characters stole the gauntlet from Thanos or obtained it in some other mode.[81] Starting time in August 2010, author Brian Clevinger and artist Brian Churillathe retold the story for a younger audience in the iv-issue limited series Avengers and the Infinity Gauntlet as part of the Marvel Adventures imprint. He used the bones framework of the story, simply purposefully wrote it in a mode that did not invite comparisons to the original, with which he did not believe he could compete.[82] During the 2015 crossover Clandestine Wars, a five-issue limited serial by Gerry Dugan and Dustin Weaver reused the championship and featured similar elements.[83]

Merchandise [edit]

During initial publication, Tenacity Incorporated offered a licensed black T-shirt featuring encompass artwork from the series. It was available exclusively through ads placed in Marvel comics. The front side had the cover artwork from result iv, and the back had the cover artwork from result three.[84]

Although no contemporary toys were created for the series, several Thanos action figures have been created in the years since that include the Infinity Gauntlet either as an accompaniment or as office of the sculpt, such as the 12 inch Curiosity Select toy[85] and the 2 inch Super Hero Team toy.[86] In 2011, a Curiosity Universe toyline 2-pack included Thanos, Warlock, an Infinity Gauntlet accessory for Warlock, and a reprint of The Infinity Gauntlet #3.[87] [annotation 7] Some toy sets have incorporated the series logo on their packaging, such as the 2009 Minimate ready with Thanos, Warlock, Mephisto, and Drax the Destroyer[88] or the San Diego Comic Con exclusive set with Marvel Universe editions of Thanos, Mistress Death, Eros, Nebula, and a wearable Infinity Gauntlet made of foam.[89]

A variety of licensed merchandise shaped the like Infinity Gauntlet has been created as well, including a money bank and earrings from Think Geek,[xc] [91] a bottle opener from Diamond Select Toys,[92] a java mug from Amusement World,[93] and an oven paw from Boodle Crate.[94]

Adaptations [edit]

Capcom adjusted the storyline into two video games shortly after its release. The first, Curiosity Super Heroes, was a fighting game released every bit an arcade game in 1995 earlier being ported to Sega Saturn and PlayStation in 1997.[95] The second, Marvel Super Heroes In War of the Gems, was a crush 'em up released in 1996 for the Super Nintendo Entertainment System.[96]

After the animated television series The Super Hero Squad Testify introduced an "Infinity Sword" in its showtime season, its second season (2010–2011) loosely adapted The Infinity Gauntlet. Griptonite Games released a tie-in video game, Curiosity Super Hero Team: The Infinity Gauntlet, for several platforms in 2010.[97]

In Oct 2011, WizKids appear they would adapt The Infinity Gauntlet into an organized play tournament for their collectible miniatures game Heroclix in 2012.[98] Vendors who wanted to participate qualified for free game kits past purchasing a minimum amount of new Heroclix booster packs.[99] It began in January and a new round was held one time a month through Baronial. At each round, players received a special game piece for participating and winners received limited edition pieces based on characters from the storyline. The viii participation pieces could be combined to create Thanos' shrine to Expiry and featured all of the gems.[100] At the time of release, it was the largest Heroclix tournament.[101]

In 2014, the early episodes of the second season of the animated cartoon Avengers Gather adjusted the storyline.[102] It also included elements from the Thanos-centric 2013 crossover comic series Infinity written by Jonathan Hickman and penciled by Jim Cheung, Jerome Opeña, and Dustin Weaver, such as Thanos' allies, the Black Club.[103]

Capcom released Marvel vs. Capcom: Space for PlayStation 4, Xbox One, and Microsoft Windows in September 2017. While it features elements from the series, it is not a direct adaptation.[104] To coincide with the game's release, Capcom held a global tournament series called "Boxing for the Stones".[105] The winner of the tournament received a greenbacks prize and a low-cal-upwards Infinity Gauntlet bays.[106] [107]

An Infinity Gauntlet prop with gems was included in the 2011 film Thor equally an Easter egg for fans before Marvel Studios decided the Avengers films would arrange The Infinity Gauntlet. A postal service-credits scene in Avengers: Historic period of Ultron (2015) showed Thanos with a gauntlet without gems, and the 1 from Thor was stated to have been a fake in Thor: Ragnarok (2017).[108] The 2018 film Avengers: Infinity War drew inspiration from The Infinity Gauntlet and depicts Thanos collecting the Infinity Stones and using them to kill half of the universe.[109] [110] [111] Its 2019 sequel, Avengers: Endgame, focuses on the Avengers' attempts to undo Thanos' deportment.[112] [113]

Notes [edit]

  1. ^ Marvel was purchased past Ronald Perelman's company MacAndrews & Forbes in 1989.[xviii]
  2. ^ Although Curiosity characters had been coming together and interacting for years, these stories were typically contained within one character's comic book, annuals, or a limited series. These rarely had a direct impact on the schedule or plot of other monthly comic books. In 1985, Clandestine Wars Ii was the commencement express series from Curiosity featuring crossovers from regular monthly serial. While the frequency of inter-championship crossovers increased afterwards, The Infinity Gauntlet was the 2d time the Secret Wars II format had been used.[17]
  3. ^ Some comics are created with more collaboration betwixt writers and artists than others. A style like the Marvel Method gives the artist more control and input into a story. A full script places more limits on the choices an artist can brand.
  4. ^ Most comic specialty stores did non accept barcode readers at the time, and this minor departure made it easy for publishers to distinguish the two editions. Newsstands could return unsold copies for credit, simply specialty stores could not.[28]
  5. ^ Because there are numerous toll guides for comics and they exercise non always agree, a precise engagement and value for the plateau cannot be determined.
  6. ^ The films were later renamed Avengers: Infinity War and Avengers: Endgame.
  7. ^ The Thanos in this two-pack is a repaint of a previous release that included an Infinity Gauntlet as well.

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External links [edit]

  • The Infinity Gauntlet at The Appendix to the Handbook of the Marvel Universe
  • Infinity Gauntlet at the Grand Comics Database
  • Infinity Gauntlet (storyline) at the Comic Book DB (archived from the original)

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